Kidnapping Annabel, Plagiarizing Dolores Haze: Literary and Literal Appropriation in Vladimir Nabokov’s Lolita

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Gilreath, Philip Austin
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This paper examines how Humbert Humbert's status as a literary and literal plagiarist contributes to and complicates the traditionally dichotomous critical readings of Nabokov's "Lolita" as either an ethically charged tale of moral rebirth or a work of autonomous art.
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